The Gilded Press:
Crafting Unforgettable Hot Foil Printing & Letterpress
Based in Eastbourne, East Sussex, The Gilded Press is dedicated to creating exceptional hot foil printing and letterpress items that are truly worth keeping.
We believe words carry weight, and a brand should leave a lasting physical mark.
A Legacy of British Letterpress Printing
I still use the same type that built Britain’s printing trade: Gill Sans, Caslon, Plantin.
These aren't just digital styles; they are physical tools made of lead and brass.
While digital type can imitate, it cannot replicate the deep impression these tools make on paper under pressure.
This is the essence of true letterpress printing.
Beyond the Surface: The Deep Impression
Most hot foil is 'kiss-printed'—a digital layer resting on the surface, or a sticker cut to mimic foil blocking.
This often feels flat and temporary.
I take a different approach.
Everything I strike is designed to last. I don't just 'print' your mark; I drive it into the material so deep you can trace it with your finger.
This deep impression ensures a lasting, tactile result.
The Art of Hot Foil Stamping
Hot foil stamping is a deliberate language of choice, combining metal, heat, and pressure.
Each decision shapes the outcome, a direct conversation between the heavy iron and the hand that guides it.
To me, foil and board are more than materials; they are the final proof of a maker's calibre.
If your work is worth selling, the handover is worth pressing.
Our pieces are truly pressed and kept.
About the Printer: Simon’s Journey
I'm Simon. My 38 years in the printing industry began without screens.
It started with a scalpel blade, traditional cut-and-paste boards, Letraset, and darkroom chemistry.
I learned on a single-colour Rotaprint before moving to the Heidelberg GTO 52, understanding page architecture with a pica ruler rather than a mouse.
I've seen the trade become infinitely faster and almost entirely automated.
Paper now feeds into presses without human touch, and in this race for speed, the craft has been lost.
I never enjoyed the high-speed factory mindset.
So, The Gilded Press was born in Eastbourne as a private press, dedicated entirely to the craft of the "Deep Impression."
Today, I combine my roots in analogue layout and vector precision with real, hands-on press experience.
I commission flawless, solid metal dies and hand-feed every single board myself, creating tactile craters that high-speed machines cannot replicate.
I'm not interested in the high-speed race; I'm interested in the one-off, the short run, and the mark that stays struck.
Signature Services
Everything I strike is designed to last. I don't just 'print' your mark; I drive it into the material.
So deep you can trace it with your finger, ensuring your luxury gift boxes leave a lasting impression.
Bespoke Presentation Boxes
Elevate your brand with custom-crafted presentation boxes.
Each luxury gift box is meticulously designed and pressed to create a deep, tactile impression that secures your product and enhances the unboxing experience.We ensure your packaging is as memorable as its contents.
1200gsm Business Cards
Make an unforgettable first impression with our ultra-heavy 1200gsm luxury business cards.
Each card is deeply pressed, not just printed, giving a tangible weight and texture that speaks volumes about your brand's commitment to quality.These are more than cards; they're a statement of enduring craftsmanship.
Wedding Invitations
For your special day, our bespoke wedding invitations offer timeless elegance and a unique tactile experience.
We create deeply pressed designs that guests can feel, delivering a sophisticated introduction to your celebration.Choose The Gilded Press for wedding invitations that truly convey class and bespoke artistry.
Workshop notes
No Delete Button
When you see a bit of print done by someone who knows what they are doing, you can see the difference. The spacing, the understanding of the form. The way the light catches. It’s not printed. It’s pressed. You can run your finger over it and feel the bite; it’s actually part of the paper....Continue reading→
Paper Suppliers for graphic designers who still give a damn.
Most of the designs landing on my bench lately are beautiful. Truly. You can see the hours spent pixel shifting and the thoughtful palettes used. But the truth is it's a life lived on a screen, and we’ve got used to the easy answer. I guess it's the path of least resistance. A click of...Continue reading→
Hand Feeding Old Red
https://thegildedpress.co.uk/wp-content/uploads/2026/04/Pressbed1.mp4 A message from someone who still gives a damn. I’ve had it. “Upload and forget.” “Everything lives in the cloud.” It all makes me sweat. Everything looks and feels the same. Flat and lifeless. If you’re tired of “digital vanilla” and want a Deep Impression that a client can actually feel with their finger,...Continue reading→
The White Rose – The Leaflet that Shook the Reich.
This is a collection of stories about the rebels and revolutionaries who used printing to alter the course of history. It is a chronicle of those who understood that the mark you leave on the world is only as strong as the intent used to strike it. We begin in Munich, 1943. The White Rose...Continue reading→
The Tactile Crater: Why Luxury Gift Boxes and Luxury Presentation Boxes Should Be Felt, Not Just Seen
In a digital world, everything is flat. You spend hours at the bench crafting a bespoke ring.You spend days refining a print or a gallery to get the light right.Your work has weight, intent, and permanence. Hand that work over in a flimsy, mass-produced box, and you quietly undermine it at the moment of delivery....Continue reading→
Forgotten font No.1 – Gill Sans Floriated
Gill Sans Floriated is not a typeface that wants to be efficient. It wants to be remembered. Eric Gill drew it in 1932, in a time when Britain was trying to decide what kind of country it was going to be. Trains were faster, factories louder, advertising bolder. Sans-serif letters were everywhere, stripped down, clean,...Continue reading→
Hot Foil Printing: The Alchemy of Gilded Press
Heat, Light, and the Physics of the Strike The Hook Most people call it “foil blocking” or “stamping.” I call it a physical transformation. It’s the moment where a flat design becomes a three-dimensional object. It’s where the cold precision of a brass die meets the organic texture of a premium sheet, fused together by...Continue reading→
Heavy Business Cards: ‘A Little Drop of Poison’.
The Philosophy Most business cards are designed to be handed out and forgotten. They are thin, flimsy excuses for a handshake, destined to be lost in a pocket or tossed in the bin before the meeting is even over. This card is different. "A Little Drop of Poison" isn’t just a sample; it’s a physical...Continue reading→

